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	<title>miahz &#187; filmmaking</title>
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	<link>http://miahz.com</link>
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		<title>Today&#8217;s War in High Definition from a Canon 5D Mark II</title>
		<link>http://miahz.com/2009/10/war-hd-canon-5dmarkii/</link>
		<comments>http://miahz.com/2009/10/war-hd-canon-5dmarkii/#comments</comments>
		<pubDate>Sun, 04 Oct 2009 05:00:49 +0000</pubDate>
		<dc:creator>Jeremiah</dc:creator>
				<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[5D Mark II]]></category>
		<category><![CDATA[Canon]]></category>
		<category><![CDATA[digital SLR]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Frontline]]></category>
		<category><![CDATA[high definition]]></category>
		<category><![CDATA[Obama's War]]></category>
		<category><![CDATA[PBS]]></category>

		<guid isPermaLink="false">http://miahz.com/?p=1416</guid>
		<description><![CDATA[The opening scene in the video below was shot by photojournalist Danfung Dennis who was embedded with Echo Company, 2nd Battalion, 8th Marine Company in southern Afghanistan this summer. This is relevant to me because i have family and friends that currently serve or have previously served in my country&#8217;s armed forces, and this is ]]></description>
			<content:encoded><![CDATA[<p>The opening scene in the video below was shot by photojournalist <a title="FRONTLINE: Obama's War: Interviews: Danfung Dennis | PBS" href="http://www.pbs.org/wgbh/pages/frontline/obamaswar/interviews/dennis.html">Danfung Dennis</a> who was embedded with Echo Company, 2nd Battalion, 8th Marine Company in southern Afghanistan this summer.</p>
<p>This is relevant to me because i have family and friends that currently serve or have previously served in my country&#8217;s armed forces, and this is a real and current view into what is actually happening <em>over there</em>.  It&#8217;s also remarkable because the video was shot by a single person using Canon&#8217;s new EOS 5D Mark II digital SLR that records high definition video.  Which means scenes that used to be reproduced by armies of filmmakers for the movies can now be captured — actually documented — as they happen with cinematic quality and detail never before possible on today&#8217;s battlefield.</p>
<p>This preview is a rough cut from the first act of the <a title="FRONTLINE: about us: a brief history | PBS" href="http://www.pbs.org/wgbh/pages/frontline/us/">Frontline</a> documentary <cite>Obama&#8217;s War</cite>.<br />
<script src="http://www.pbs.org/wgbh/pages/frontline/js/pap/embed.js?frol02obc4" type="text/javascript"></script></p>
<p><a href="http://www.pbs.org/frontline/obamaswar/">FRONTLINE: Obama&#8217;s War | PBS</a></p>
<p>[Seen on <a title="High Definition War Footage Taken with Canon 5D Mark II - Obama's War - Gizmodo" href="http://gizmodo.com/5373320/high-definition-war-footage-taken-with-canon-5d-mark-ii">Gizmodo</a> via <a title="Obama's War/USMC in Helmand by Danfung Dennis | Lightstalkers" href="http://www.lightstalkers.org/obamas-warusmc-in-helmand-by-danfung-dennis">Lightstalkers</a>]</p>
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		<item>
		<title>I Am On IMDb</title>
		<link>http://miahz.com/2008/08/i-am-on-imdb/</link>
		<comments>http://miahz.com/2008/08/i-am-on-imdb/#comments</comments>
		<pubDate>Mon, 18 Aug 2008 06:31:00 +0000</pubDate>
		<dc:creator>Jeremiah</dc:creator>
				<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[IMDb]]></category>
		<category><![CDATA[Jeremiah Zabal]]></category>
		<category><![CDATA[miahz]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Skiptracers]]></category>
		<category><![CDATA[special effects]]></category>

		<guid isPermaLink="false">http://miahz.com/?p=752</guid>
		<description><![CDATA[Harris got Skiptracers added to IMDb, and i&#8217;m credited for the special effects work i did a few months back]]></description>
			<content:encoded><![CDATA[<p>Harris got <a href="http://www.imdb.com/title/tt1270847/" title="Skiptracers (2008)">Skiptracers</a> added to IMDb, and i&#8217;m<a href="http://www.imdb.com/name/nm3098251/" title="Jeremiah Zabal"> credited for the special effects work</a> i did a few months back.</p>
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		<item>
		<title>Old Industry Bucking New Think</title>
		<link>http://miahz.com/2006/01/old-industry-bucking-new-think/</link>
		<comments>http://miahz.com/2006/01/old-industry-bucking-new-think/#comments</comments>
		<pubDate>Tue, 24 Jan 2006 17:21:37 +0000</pubDate>
		<dc:creator>Jeremiah</dc:creator>
				<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[quotes]]></category>
		<category><![CDATA[wanderings]]></category>

		<guid isPermaLink="false">http://miahz.com/log/2006/01/24/old-industry-bucking-new-think/</guid>
		<description><![CDATA[&#8220;How sad is it when the President of the National Association of Theater Owners doesnt think his members can create a better movie going experience than what we can see in our houses and apartments ?&#8221; -Mark Cuban, &#8220;What Business are theaters in ?&#8221; [via] The sad part is that a lot of the time ]]></description>
			<content:encoded><![CDATA[<blockquote cite="http://www.blogmaverick.com/entry/1234000010073495/"><p>&#8220;How sad is it when the President of the National Association of Theater Owners doesnt think his members can create a better movie going experience than what we can see in our houses and apartments ?&#8221;</p></blockquote>
<p>-<a href="http://www.blogmaverick.com/entry/1234000010073495/" title="What Business are theaters in ? - Blog Maverick - www.blogmaverick.com _">Mark Cuban, &#8220;What Business are theaters in ?&#8221;</a> [<a href="http://www.dvguru.com/2006/01/22/mark-cuban-questions-movie-theater-business/" title="Mark Cuban Questions Movie Theater Business - DV Guru">via</a>]</p>
<p>The sad part is that a lot of the time a movie <em>is</em> better experienced at home.  Not necessarily the <cite>movie</cite> part, but the <strong><cite>experience</cite></strong> part.  As Cuban notes: &#8220;People of different demographics have different expectations of the movie going experience. Trying to mix them only ends up making both mad.&#8221;</p>
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		<item>
		<title>Oh, Agents</title>
		<link>http://miahz.com/2005/09/agents/</link>
		<comments>http://miahz.com/2005/09/agents/#comments</comments>
		<pubDate>Thu, 29 Sep 2005 21:03:35 +0000</pubDate>
		<dc:creator>Jeremiah</dc:creator>
				<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[wanderings]]></category>

		<guid isPermaLink="false">http://miahz.com/log/2005/09/29/agents/</guid>
		<description><![CDATA[dlee is my &#8220;Little Asian.&#8221; [via]]></description>
			<content:encoded><![CDATA[<p>dlee is my <a href="http://www.ikoya.com/our_work.shtml" title="iKoya - Our Work">&#8220;Little Asian.&#8221;</a> [<a href="http://www.icommag.com/directory-rental-company.html" title="Annual Rental Company Directory - iCOM Magazine">via</a>]</p>
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		<title>64 Second Film</title>
		<link>http://miahz.com/2005/09/64-second-film/</link>
		<comments>http://miahz.com/2005/09/64-second-film/#comments</comments>
		<pubDate>Thu, 29 Sep 2005 05:49:08 +0000</pubDate>
		<dc:creator>Jeremiah</dc:creator>
				<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[regurgitation]]></category>
		<category><![CDATA[video production]]></category>
		<category><![CDATA[wanderings]]></category>

		<guid isPermaLink="false">http://miahz.com/log/2005/09/29/64-second-film/</guid>
		<description><![CDATA[Speaking of Golden Tickets&#8230; [via] Winner gets a trip to Spielberg&#8217;s chocolate factory]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.64seconds.com/" title="The 64 Second Film Contest">Speaking of <cite>Golden Tickets</cite>&#8230;</a> [<a href="http://www.dvguru.com/2005/09/27/the-64-second-film-contest/" title="DV Guru - The 64 Second Film Contest">via</a>]  Winner gets a trip to <a href="http://www.dreamworks.com/" title="DreamWorks SKG">Spielberg&#8217;s chocolate factory</a>.</p>
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		<item>
		<title>Notes On The Film Look</title>
		<link>http://miahz.com/2005/09/notes-on-the-film-look/</link>
		<comments>http://miahz.com/2005/09/notes-on-the-film-look/#comments</comments>
		<pubDate>Mon, 26 Sep 2005 23:29:17 +0000</pubDate>
		<dc:creator>Jeremiah</dc:creator>
				<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[video production]]></category>

		<guid isPermaLink="false">http://miahz.com/log/2005/09/26/the-film-look/</guid>
		<description><![CDATA[How to make video look like film &#8211; Pretty good overview of the various stages and elements of video production. &#8220;â€¦shoot in a film style, with all of the discipline of film.&#8221; &#8211; Another brief overview outlining some of the differences between video and film production techniques. How can I achieve that film look? Shallow ]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.b-independent.com/production/filmlook.htm">How to make video look like film</a> &#8211; Pretty good overview of the various stages and elements of video production.</p>
<p><a href="http://www.urbanfox.tv/production/p15filmlookshoot.htm" title="MAKING VIDEO LOOK LIKE FILM (PART 1) - WWW.URBANFOX.TV">&#8220;â€¦shoot in a film style, with all of the discipline of film.&#8221;</a> &#8211; Another brief overview outlining some of the differences between video and film production techniques.</p>
<p><a href="http://www.forums.dv.com/jive3/thread.jspa?untiRecursion=true&amp;threadID=300058179">How can I achieve that film look?</a></p>
<p><a href="http://www.forums.dv.com/jive3/thread.jspa?untiRecursion=true&amp;threadID=300052009">Shallow DOF not desirable &#038; other Video versus film problems.</a></p>
<blockquote cite="http://www.forums.dv.com/jive3/post!reply.jspa?messageID=300222064"><p>In general [...] deep focus is not desirable unless for style or effect. It&#8217;s too easy to get background interference. Plants, books, paintings, stairs, furniture &#8212; all that stuff when extremely sharp has to be properly designed so as not to interfere with foregound action. If on the other hand it&#8217;s soft in the BG, it&#8217;s not as big of an issue.</p></blockquote>
<p><a href="http://www.dvinfo.net/articles/filmlook/broadway1.php">Simulating 35mm Motion Picture Clarity in After Effects by Daniel Broadway</a></p>
<p><a href="http://www.film.virginia.org/">Virginia Film Office</a></p>
<ul>Production Companies:</p>
<li><a href="http://www.newdominion.com/index.asp?id=92">New Dominion Pictures / Home</a></li>
<li><a href="http://www.gocreativedge.com/portBcast.html">Creativedge &#8211; Portfolio</a></li>
<li><a href="http://www.henninger.com/">Henninger Media Services</a></li>
</ul>
<ul>
<li>Lighting
<ul>
<li>large diffused/bounced light sources&#8212;not direct lighting</li>
</ul>
</li>
<li>Frame rate (24fps &#8211; 24 frames per second)
<ul>
<li>normal video is 60i (60 interlaced frames/second, which makes 30 full frames/second)</li>
</ul>
</li>
<li>Scan method (interlaced vs. progressive)</li>
<li>Frame aspect ratio (basically, the shape)
<ul>
<li>current SD television is 4:3</li>
<li>future HD formats are 16:9</li>
<li>film is presented at various aspects (1.85:1, 2.35:1 are common &#8220;standards&#8221;)</li>
</ul>
</li>
<li>Recording medium
<ul>
<li><a href="http://www.luminous-landscape.com/essays/pixels_vs_film.shtml">Pixels Vs Film</a></li>
<li><a href="http://www.luminous-landscape.com/essays/clumps.shtml">Clumps and Chumps</a></li>
<li><a href="http://en.wikipedia.org/wiki/Digital_cinematography#Digital_video_vs._film" title="Digital cinematography - Wikipedia, the free encyclopedia">Digital video vs. film</a></li>
<li><a href="http://www.cinematography.net/Pages%20DW/Film_GrainvsVideo_Noise.htm">Film_Grain vs Video_Noise</a></li>
<li>film
<ul>
<li>grain structure</li>
<li>gamma curve</li>
<li>analog/non-digital capture of light</li>
</ul>
</li>
<li>video
<ul>
<li>limited based on storage medium (tapes)</li>
<li>limited based on imaging chips (CCDS), both in quality and number</li>
<li>digital recording of light levels</li>
</ul>
</li>
</ul>
</li>
<li>Gamma
<ul>
<li>Dynamic Range</li>
<li>Color</li>
</ul>
</li>
<li>Depth Of Field
<ul>
<li>lens (aperture, focal length)</li>
<li>light/exposure</li>
<li>in film production, the Director of Photography usually selects a set film stock and appropriate exposure level and works the lights, lenses, etc. around that</li>
</ul>
</li>
<li>Camera movement
<ul>
<li>no zooms</li>
<li>camera moves on dolly/crane/steadicam for professional, smooth movements, unless stylistically called for (hand-held like Saving Private Ryan)</li>
</ul>
</li>
<li>Sharpness</li>
</ul>
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		<item>
		<title>DV Guru</title>
		<link>http://miahz.com/2005/09/dv-guru/</link>
		<comments>http://miahz.com/2005/09/dv-guru/#comments</comments>
		<pubDate>Tue, 20 Sep 2005 01:19:58 +0000</pubDate>
		<dc:creator>Jeremiah</dc:creator>
				<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[gadgets]]></category>
		<category><![CDATA[notes]]></category>
		<category><![CDATA[video production]]></category>
		<category><![CDATA[web]]></category>

		<guid isPermaLink="false">http://miahz.com/log/2005/09/19/dv-guru/</guid>
		<description><![CDATA[My new favorite blog]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.dvguru.com/" title="DV Guru">My new favorite blog.</a></p>
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		<title>Industry Odds</title>
		<link>http://miahz.com/2005/09/industry-odds/</link>
		<comments>http://miahz.com/2005/09/industry-odds/#comments</comments>
		<pubDate>Sun, 18 Sep 2005 17:23:43 +0000</pubDate>
		<dc:creator>Jeremiah</dc:creator>
				<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[quotes]]></category>
		<category><![CDATA[regurgitation]]></category>
		<category><![CDATA[wanderings]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://miahz.com/log/2005/09/18/332/</guid>
		<description><![CDATA[The cliche is that every waiter in LA is an actor. The truth is that every non-waiter is probably working on a screenplay. John August. &#8220;On friends, colleagues and jealousy.&#8221; [via] Don&#8217;t consider myself much of a writer, but some very interesting insights into the industry at johnaugust.com]]></description>
			<content:encoded><![CDATA[<blockquote cite="http://johnaugust.com/archives/2005/on-friends-and-jealousy"><p>The cliche is that every waiter in LA is an actor. The truth is that every non-waiter is probably working on a screenplay.</p></blockquote>
<p><a href="http://johnaugust.com/archives/2005/on-friends-and-jealousy" title="johnaugust.com Â» On friends, colleagues and jealousy">John August. &#8220;On friends, colleagues and jealousy.&#8221;</a> [<a href="http://www.dvguru.com/2005/09/15/difference-between-friends-and-colleagues/" title="Difference Between Friends and Colleagues">via</a>]</p>
<p>Don&#8217;t consider myself much of a writer, but some very interesting insights into the industry at <a href="http://johnaugust.com/">johnaugust.com</a>.</p>
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		<title>The Flight Of The Phoenix (1965)</title>
		<link>http://miahz.com/2004/12/the-flight-of-the-phoenix-1965/</link>
		<comments>http://miahz.com/2004/12/the-flight-of-the-phoenix-1965/#comments</comments>
		<pubDate>Sat, 11 Dec 2004 03:10:51 +0000</pubDate>
		<dc:creator>Jeremiah</dc:creator>
				<category><![CDATA[culture]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[movies i've seen]]></category>
		<category><![CDATA[on DVD]]></category>

		<guid isPermaLink="false">http://miahz.com/log/2004/12/21/the-flight-of-the-phoenix-1965/</guid>
		<description><![CDATA[Was actually pretty good. The main impression i was left with is how differently films are made nowadays. The same film released today would probably either bomb or be regarded as some indie-style hit. All the credits were at the beginning, so when it ends it&#8217;s really over. Either they didn&#8217;t credit everyone involved in ]]></description>
			<content:encoded><![CDATA[<p>Was actually pretty good.  The main impression i was left with is how differently films are made nowadays.  The same film released today would probably either bomb or be regarded as some indie-style hit.  All the credits were at the beginning, so when it ends it&#8217;s <em>really</em> over.  Either they didn&#8217;t credit everyone involved in the making of the film, or they made films with relatively minimalist crews.  Or maybe both.  If i ever got around to making a movie i&#8217;d totally put all the credits up front or spread throughout, that way you&#8217;d be forced to read them, and it would just end at the end.  Even the trailer was awesome in a retro Tarantino kinda way; the kind of thing that would never work today unless used as a gimmick like in an Old Navy ad or something.</p>
<p>As always, i was amused by that obviously fake blood they used back then that&#8217;s too opaque and looks more like runny orange paint than blood.  Did they just not know that it looked fake, or what?  It took me a little while to recognize <a href="http://www.imdb.com/name/nm0000277/">Richard Attenborough</a> who was much younger than the entrepreneur from Jurassic Park that i picture him as. </p>
<p>I&#8217;ve read that the beginning crash scene of <a href="http://www.imdb.com/title/tt0377062/" title="Flight of the Phoenix (2004)">the remake</a> is pretty awesome, which is one area the original was really weak in.  Not sure if i wanna risk buying a ticket to find out if the rest of it is good though&#8212;it has some definite stellar potential.</p>
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